A landmark public sculpture in Victoria, BC, the Crouching Heron beckons circumnavigation on foot, whereby the flat steel bird is brought to life from an apparent two to three dimensions. The large scale of this hunting bird was determined such that passersby would become a metaphorical “flock” — or "food".

Project Data

Title
Crouching Heron, Hidden Flock
Steel heron, reeds, address numbers "3185"
Glass tile mosaic
Stone
Architectural lighting
Size
20’ x 8’ x 10’
Artist
Brandon Leudke
Style
Figurative: Stylized Representational
Morphology
Hybrid stylization based on a study of young herons hunting in the ocean
Typology
Paintings
Location
Herons Landing & The Ardea
3185 Tillicum Road, Victoria, BC, Canada
Provenance
2020: Resale: Property managed by Devon Properties
2014: Sold: E Y PROPERTIES LTD
Value
2014: Original Sale Private commission
Copyright
Copyright © 2014  LEUDKE CREATIVE
All rights reserved.
Project Team
  • Artist: Brandon Leudke, LEUDKE CREATIVE:
    • Concept: renderings and design development drawings, steel cut pattern, etc.
    • Project management: fabrication, supervision, etc.
    • Steel finishing: grinding, polishing, coating, etc.
    • Photography: construction photo documentation & art photography
    • Mosaic: Custom glass tile mosaic designed by Brandon Leudke, LEUDKE CREATIVE, and installed in collaboration with Wiktor Szczurek, VIK TILES
  • Client: E Y PROPERTIES LTD (Private Commission)
  • Design-build & construction management: Doug Yakimovich, MATRIX CONSTRUCTION, assisted by Paul, carpenter, and Ernie Yakimovich, E Y PROPERTIES LTD; in collaboration with Brandon Leudke, LEUDKE CREATIVE
  • Structural Engineering: Sameer Hasham & Dan Weber, Read Jones Christoffersen (engineering specifications and drawings)
  • Steel cutting: EPPIC WATERJET
  • Welding: ALLIANCE ENGINEERING
  • "Autumn gold" boulders: K2 STONE
  • Foundation: FARMER CONSTRUCTION
  • Electrical: BRIDGE SYSTEMS
  • Lighting: MCLAREN LIGHTING, Mike McDougall
  • Volunteers: Special thanks to all of you who assisted along the way to opening day, February 20, 2014; especially Grazyna, Monia, Finn (a.k.a. Bubba Guadalupe Chico Rivera the 1st), Monika, Doug and Sameer, who went beyond the call of duty by volunteering their time — at the wee hours, in the wildest of winds — to help make this art come to life

Passersby are the metaphorical “flock” of the Crouching Heron

Crouching Heron, Hidden Flock © LEUDKE CREATIVE
Crouching Heron, Hidden Flock © LEUDKE CREATIVE

One night, while walking along the Songhees Walkway, I caught the view of a crouching heron that would become the inspiration for my sculpture. Standing on one leg, motionless, this heron would have been easy to miss had my mind’s wandering thoughts not paid heed to my peripheral vision, which was directing me to appreciate the beauty of the moment before me. I stood there with that bird for over half an hour, contemplating his superb focus and patience while also admiring his delicate silhouette and graceful thinness. Was there ever another bird so exquisitely efficient in function and yet so meditatively beautiful in form?

Living and working on the Victoria waterfront has afforded me many opportunities to observe and reflect on the habits of the local heron population, particularly their posture of crouching in still waters in wait of fish. During the daytime, I would compare the heron’s ways to those of the other birds — the noise and confusion of the vulturous seagulls surrounding the heron and hoarding any available fish remnants — to the hectic ways of the people of the city, with their cars, planes, boats, sirens and so forth. I admired the “way” of the heron, whose stillness is extraordinary. Does one ever become likewise, unaffected by all of the busyness and distractions of the city?

The heron’s uncanny punctuality also struck me, as we’d come to meet at that same spot most nights thereafter. Now that seasons and habits have changed, when he doesn’t show up, I can go to Herons Landing to see him crouching in his newly conceptualized habitat, atop a custom glass tile mosaic “water” motif, amidst rust laden rocks.

As a Victoria landmark, the Crouching Heron beckons circumnavigation on foot, whereby the flat steel bird is brought to life from an apparent two to three dimensions. The large scale of this hunting bird was determined such that passersby would become a metaphorical “flock” — or "food".